In which Demi doesn't entirely believe in the green light.

I should probably state here, for the record, that The Great Gatsby is one of my favourite books, and I don't believe a cinematic version of the tale will ever truly be able to recreate the subtlety and beauty of Fitzgerald's words. Nick's first person narrative issues aside, I think that such a wordy book will never have a fully successful film adaptation, as what we are delivered on screen will almost never match, or indeed outmatch, our own imaginations, unlimited as they are.

Nevertheless, when I heard that Baz Luhrmann was taking up the novel as his new project, a little thrill of excitement went through me. Surely, if anyone could do a decent job of matching the extravagance of Fitzgerald's 1920's world, it would be Baz.

It was certainly close, but no cigar.

Source

I monitored all press news, photos from the set and rumours incessantly. The more I saw, the more I liked. The cast seemed perfect, with my only concerns saved for Leonardo Di Caprio. It wasn't that I didn't think he would do a good job, as I think he's an amazing actor. I was simply intrigued as to how he would craft the titular character; the rest of the cast fit smoothly into their roles in my mind, whereas Di Caprio was like a puzzle piece which I knew would fit into the whole... I just hadn't worked out how yet.

When the soundtrack was leaked I was fizzy with excitement. Baz made such a fantastic call by getting Jay Z on board, with the music sounding both fresh and nostalgic; jazz and modern rap or dance seamlessly blending.

 Some of my personal favourites from the soundtrack, but the whole thing is amazing.

When it was announced that the film was going to be delayed so that it could be engineered into 3D, internally I reacted like this:

I hate 3D films. It ruined The Hobbit for me. I hate that when you watch a 3D film in 2D (or even in 3D) how inherently false it looks; you can practically see the green screen behind the actors. It jars with the believability of films, and I just wish the whole trend would go away.

So, with hesitant feet, I made my way to my old local cinema during my last trip back to Nottingham, with two equally trepidatious friends.

And, inevitably, felt my heart sink whenever the shots revealed the unnecessary 3D green-screen effect, which in turn affected the lighting quality of the actors and threw several key scenes off-balance for me.

BUT, 3D-hate aside, I was fairly happy. It seemed to take a long time to get going, but once it did the film fizzed into life like an uncorked bottle of champagne - all bubbles and sparkle and light and airiness. The party scenes in particular were great, but the big show-down in the New York hotel scene was the highlight of the film. With no green-screen, no scene-stealing props or gimmicks, we were graced with terrific performances from all of the actors. Leo did an incredible job, even if his 'old sport' catchphrase was slung onto the end of every sentence - but having re-read the book since, he really does use it that much.

Which brings me onto my joy and delight at seeing how much of the actual text of the novel was quoted. I liked the framing of the narrative, the reasoning behind Nick telling the story. While I could have done without the weird floating words in the sky occasionally, I liked that Luhrman tried to tie the book in as much as he possibly could.

However, there were niggles, and many of them. The green-screen aspect and the unnecessary composite layering. The flashy flashbacks. Some strange camera angles. All of these things kept me from sinking into the film, into wrapping its decadence around me like a fur stole.

Baz gave it a solid effort, one which drew out excellent performances from his actors, and certainly beats the Redford/Farrow version in my opinion. But it is a film which ultimately falls short - and not just for the fact that he was never going to be able to match Fitzgerald's unearthly prose.

Did you catch The Great Gatsby? What did you think? xo.